Wednesday, October 27, 2021

99) Arachnophobia (1990) - A Nostalgic Horror Rental


Director
Frank Marshall

Cast
Jeff Daniels - Dr. Ross Jennings
Harley Jane Kozak - Molly Jennings
Julian Sands - Dr. James Atherton
John Goodman - Delbert McClintock
Brian McNamara - Chris Collins
Henry Jones - Dr, Sam Metcalf
Stuart Pankin - Sheriff Parsons


In his stand-up comedy special, I'm Telling You for the Last Time, Jerry Seinfeld says "I know I will never be able to understand how a woman can take boiling hot wax, pour it on her upper thigh, and rip the hair out by the roots...and still be afraid of a spider."
From now until the end of time, millions of people will just never be able to comfortably share this world with spiders. And so spiders have been, and continue to be, the subject of a lot of horror. Hollywood has certainly harnessed their fear factor in movies such as Tarantula (1955), Earth vs. The Spider (1958), Kingdom of the Spiders (1977), Ice Spiders (2007) and Itsy Bitsy (2019).
For me, the one spider-horror movie that seems to stand out above the rest is Arachnophobia. 
It was released through Disney-owned Hollywood Pictures back in 1990.
The last time I saw Arachnophobia was back in the early nineties sometime.
It hit theaters towards the end of the classical slasher era which makes it a bit of a unique picture.
According to Sotiris Petridis's book Anatomy of the Slasher Film: A Theoretical Analysis, this particular subgenre stretches from 1974 to 1993. It's followed by the self-referential slasher era (1994 to 2000) and then the neoslasher cycle (2001 to 2013). But that's all another topic for another post.
Horror movie franchises were stretching themselves thin by the the start of the nineties as producers were attempting to attract audiences with the same old monsters for the fifth or sixth time. Friday the 13th part VIII: Jason Takes Manhattan, A Nightmare on Elm Street 5: The Dream Child, and Halloween 5: The Revenge of Michael Myers were all released the previous year. Child's Play 2 was one slasher flick that came out the same year as Arachnophobia. 
So, at the time of its release, Arachnophobia was certainly something practical and much less outlandish in the horror genre. In other words, it's a creature feature in the truest meaning of the term that doesn't rely on blood, guts, and homicidal maniacs in hockey masks or dream demons to freak out audiences.
Arachnophobia begins in a South American jungle as entomologist James Atherton (Julian Sands, Warlock) is leading a small team to search for a species of spider that has remained undisturbed by humans for centuries.
He finds two huge spiders that he identifies as being a prehistoric species. And they're both very aggressive. 
Atherton believes they belong to a hive of spiders acting as soldiers for a queen spider.
Nature photographer, Jerry Manley (Mark L. Taylor), is on the exploration with Atherton. When they get back to their camp, Manley goes to rest in his tent as he has a fever. Little does he know that a male spider found its way into his backpack. The spider crawls out into his tent, and makes its way under his sheets as he rests. 
It sinks its fangs deep into Manley's leg, sending him immediately into a seizure which kills him.
Atherton sees to it that Manley's remains are sent back to his hometown of Canaima, California. 
Little does anybody know that one of these spiders hitches a ride inside his coffin. 
By the time Manley's body gets to the local mortuary, it's completely desiccated. The spider had plenty to feed on during the trip.
The hitchhiking spider escapes the mortuary undetected, makes its way outdoors, and is picked up by a hungry crow.
Jeff Daniels searching for the spider's nest in Arachnophobia.
The spider bites the bird in mid-flight causing it to fall out of the air and onto the property of the town's soon-to-be new physician, Dr. Ross Jennings (Jeff Daniels). 
Jennings just moved his family to Canaima from San Francisco to take over the medical practice of the town's retiring doctor.
The spider takes up shelter in Jennings's barn, mates with a house spider, and spins one hell of a web much to the displeasure of Jennings who suffers from a severe fear of spiders. 
Soon, it lays a ton of eggs as spiders tend to do. And like those Atherton found in South America, the newly hatched spiders spread out from their nest in a web formation to dominate the area. 
Soon, residents around town begin dying, one by one, after encountering these spiders.
At first, Jennings and others are clueless as to the circumstances behind these deaths. But after an autopsy of the victims, which local old local doctor and the sheriff protest to, Jennings finds bite marks on the deceased bodies. He remembers that Manley had been part of an expedition in South America, connects the dots, leading him to Atherton. 
Jennings contacts Atherton for assistance, and soon, a group of locals including the town's exterminator, Delbert McClintock (John Goodman) are out to fight these deadly arachnids. 
The presence of John Goodman really kicks the movie up several notches. He plays a fun character who refers to himself as "infestation management." His business-as-usual persona amidst the community's deadly infestation really makes his supporting role superb comic relief. He fits perfectly into the setting. 
His lines of expertise in the field of pest control and annihilation made me laugh. 
In one scene where he's discussing the spider situation with Jennings, he tells the doc that spiders would find his barn "a tad breezy this time of year. In that respect, spiders are a bit like you and me. No, I frankly doubt there are any spiders in your barn."
"Well, I frankly know there is, Delbert, I saw a web! There is a web in my barn," Jennings replies.
Delbert pauses a moment.
"...a web would indicate an arachnid presence."
Later, when he's introduced to the sophisticated Atherton, Delbert introduces himself and says "always nice to meet a colleague." 
Otherwise, he's a guy who collects beer cans, including "a rare '74 Miller Lite with a misprint on the label. Only a hundred or so cans in circulation."
Julian Sands' character is semi-pompous but not a bad character. His role is crucial as he knows what he's getting into. Usually, the common horror trope is the mean guy will get what's coming to him. Atherton isn't cruel to his collection of rare spiders. He treats them with the respect such poisonous spiders deserve. I wasn't expecting his fate towards the end. Oh...oops. Um... spoiler
Sometimes less is more. All it takes to make Arachnophobia creepy and unforgettable is its simplicity of being a movie about spiders. They don't need to be oversized mutated spiders. Sure, they kill a few people. But they terrify much more because, as we all can attest to, those damn spiders hide anywhere and everywhere. I've seen spiders crawl out of sink and bathtub drains. I also saw a huge wasp crawl out of my bathroom sink drain once, oddly enough. That sucker was long and huge. 
What Arachnophobia has is a very plausible story. That's what makes it chilling. Realism. This is the kind of movie that leaves lasting images in the minds of audiences, like clusters of spiders covering the walls of a house. This movie is what a creature feature ought to be.
I'm nitpicking when I mention the film's obvious use of mechanical spiders, but real spiders are used alongside those fake ones. The way those real arachnids are used is truly impressive.
One thing I don't like is the way the spiders hiss when they jump or throw their front legs in self defense. That aspect is unintentionally funny, cliché, and a completely unnecessary. 
The ending of the film felt rather uncharacteristic of the spiders after its explained that the species will spread out like soldiers on order from their general. But I don't want to lambast it too much as a movie like this needs an unsettling climax that encompasses the entire feel of the film. So, in that regard, it definitely succeeds.
The fear factor of this story is segmented in two parts which is common among classic creature features.
The first half delivers fear of the unknown. People are dropping dead around town, and nobody knows why. The audience is in on it, but the characters are clueless at first. That much is gripping. How will anyone know what's really going on? 
The second half comes when someone finally finds the scary monster (the spiders, in this case). Now the fear shifts as the characters face off against the deadly threat. How are they going to deal with it? How can the possibly attack all these small but deadly spiders that are spread all over the town? They can be anywhere! 
On top of that, Jennings suffers from an acute fear of spiders. The audience can really put themselves in his shoes as he finds himself surrounded (quite literally in the end) by what he fears most. The audience doesn't have to be afraid of spiders to feel what Jennings is feeling, but they have to be afraid of something. For me, it would be wasps, especially a swarm of them. 
Director Frank Marshall, who has produced and directed some truly memorable films, kicked off his motion picture directorial debut fantastically with Arachnophobia. He makes sure the audience gets plenty of up-close looks at those creepy spiders, with their fangs, multiple eyes, and all.
In some instances, all we're treated to are spider silhouettes. We know where the spiders are. One is in the lamp shade. One is behind the toilet. Another is hiding in the somebody's slipper. What we don't know is what they're going to do. There's a few surprises in these creepy crawly tropes.  
John Goodman as Delbert McClintock in Arachnophobia.
Though the movie has lots and lots of spiders, it doesn't feel over done.
The squirms will come. Those that are squeamish will certainly bury their eyes. All it takes is some brown, hairy spiders to do so. The movie's poster depicts the premise perfectly - one tiny spider dangling predominately over a wide open town. Again, sometimes less is more. I was actually going to watch another movie for my 99th review - the 1980 mystery horror The Changeling with George C. Scott. But that fell through. I'll have to review it later. 
Oh, and the trailer for Arachnophobia calls it a "thrill-omedy." Thankfully that's a word that died as soon as it was coined. 
I believe good horror movies can act as a way for someone to face their fears. They can act as a sort of how-to guide for confronting what frightens someone most. Arachnophobia is a perfect example.
So, I'll throw this into my pile of favorites.

Saturday, October 16, 2021

NEW HORROR RELEASES - 98) The Muppets Haunted Mansion

Kirk Thatcher

Cast
Will Arnett - The Ghost Host
Yvette Nicole Brown - Hearse Driver
Darren Criss - The Caretaker
Taraji P. Henson - Constance Hatchaway
Kim Irvine - The Maid
Dave Goelz - voice of Gonzo
Bill Barretta - voice of Pepe

I don't think it's a revelation to say the Muppets have never been quite the same since their creator, Jim Henson, passed away in 1990. That's not necessarily the fault of the Jim Henson Company nor Disney which currently owns the franchise.
To Disney's credit, they've been working to keep the Muppets alive and well, and in front of audiences as best they can despite the best years of Henson's creations being behind them.
The successful Muppet Show, which really made their popularity skyrocket, ran for five seasons from 1976 to 1981. It still holds up today. 
Subsequent programs came along after the success of The Muppet Show but didn't have quite the staying power.
His show The Jim Henson Hour ran for one season on NBC in 1989. It has a similar style to the classic TV anthology series Walt Disney Presents. Henson hosts the show and offers audiences a look behind the scenes to show off new innovations and ideas.
After that, the Muppets returned to prime time television with Muppets Tonight in 1996. New characters were introduced. Some of which have stuck around the Muppet Studios to this day. And much to the show's credit, it won a Primetime Emmy Award for outstanding children's program. 
It has a similar variety show format as The Muppet Show but is certainly more updated in style. Muppets Tonight ran for two seasons on ABC. The show was purchased by the Disney Channel, which ran a few more episodes not seen on ABC.
After several years, the Muppets made a sort of television comeback on ABC with the show The Muppets. It's a docu-style (or mockumentary, as it's often called) sitcom much like The Office. The writers switched the variety show theme with a late night show motif hosted by Miss. Piggy. 
The series, which ran for one season, follows the behind-the-scenes office work of the Muppets. And like most of their past programs, this series features regular guest stars.
I found it somewhat entertaining, but the laughs definitely didn't follow too many of their jokes.  
The streaming service Disney+ airs the current series Muppets Now which premiered in 2020. I've only seen the first two episodes. It consists of multiple segments in an unscripted style viral video or web series format.
Despite all the best efforts, I don't think the Muppets will ever have quite the spark and spirit that they possessed when Henson was running the show. But that's not to say they're no longer entertaining nor completely lost their humor. 
Now, with the Halloween season upon us, Disney decided to pair the Muppets with one of their classic Disneyland attractions, the Haunted Mansion. 
The Great Gonzo and Pepe the King Prawn as themselves 
in The Muppets Haunted Mansion.
The Muppets Haunted Mansion aired Oct. 8 on the streaming service Disney+ and brings together two of my favorite things. Not only do I enjoy the Muppets (The Great Muppet Caper being my favorite of their movies), but as a fan of whatever is considered spooky, the Haunted Mansion is for sure my favorite Disneyland attraction. So, I was excited to sit and watch this new special.
The story centers on Gonzo and Pepe the King Prawn. 
In stead of attending the annual Muppet Halloween party, Gonzo and Pepe decide to head over to a fear challenge event over at a haunted mansion.
Gonzo is excited as its the same mansion his favorite magician, "the Great MacGuffin," had mysteriously disappeared from 100 years ago. 
They're escorted over to this event in a hearse driven by Yvette Nicole Brown. 
When they arrive, they immediately run into a groundskeeper (Darren Criss) and his scrawny looking dog. Soon, they encounter several ghosts popping up from the cemetery on the grounds, along with singing busts as seen on the ride at Disneyland. 
After a catchy song from the groundskeeper and the ghosts manifesting around them, Gonzo and Pepe make their way into the mansion where they're greeted by their "ghost host" (Will Arnett).
The host tells Gonzo he's been summoned to the mansion in order to see if they can survive one over-night stay within. 
If they can, they're welcomed to leave the next morning. If not, he and Pepe will be doomed to stay inside the mansion... forever! (Cue thunderclap.) 
Gonzo is sure of himself that he fears nothing. Pepe, meanwhile, is terrified by everything he encounters within the mansion.
After exploring the house, and encountering several ghosts who resemble the other Muppets back at their Halloween party, the "ghost host" tells Gonzo that to survive the mansion he has to face his fears in room 999. 
It's the first Halloween special to feature the Muppets. And though it's not the sort of horror I've been reviewing here, it has ghosts and talking prawns and such, so...it counts.
The Muppet Haunted Mansion reminds me a bit of another Muppet special - A Muppet Family Christmas. This aired on ABC back in 1987, and is truly one of the best Holiday TV specials out there as it brings all the characters from Jim Henson's mind - Sesame Street, Fraggle Rock, and the Muppet Babies - into one special.
Like A Muppet Family Christmas, this Halloween special doesn't have much of a storyline. Actually, it doesn't necessarily need any big story. Rather, it has just enough to move things along and keep the audience invested. Otherwise, the self-aware humor as the Muppet characters react and interact with the familiar ghosts of the haunted mansion is the stuff of classics.
In true Muppet fashion, celebrity guests are sprinkled throughout without stealing the spotlight from either the ghosts nor Kermit and his pals. 
It's worth mentioning actor Ed Asner's appearance as one of the mansion's happy haunts, making it his final work as he passed away in August, 2021.  
Director Kirk Thatcher has worked with the Muppets before, and quite successfully. He worked as supervising producer on Muppets Tonight. He directed the Muppets' Bohemian Rhapsody YouTube video in 2009 which won the "Viral Video" category at the Webby Awards. Thatcher also directed the Muppets' Jungle Boogie and Kodachrome music videos. Their first Halloween Special was certainly in good hands.
Will Arnett as "the Ghost Host"
The songs in this special are catchy, and the jokes garner laughs. In particular, the running joke about timing which involves a skeleton and mummy attempting bolster the fear of the moment had me laughing.
But most significantly, the special works with the Muppet's self-aware humor, breaking the fourth wall, as Gonzo and Pepe interactant with all the familiar Haunted Mansion scenes and characters. 
Disney Imagineer Kim Irvine has a cameo as a maid, and shares a scene with Miss. Piggy who plays the psychic medium, Madame Leota, who conjures the spirits from within her crystal ball. 
It's a significant cameo as her late mother, Leota Toombs, portrays Madam Leota in the séance scene during the Haunted Mansion ride. Nice touch, Disney!
Nothing in the Haunted Mansion is left ignored. Fans of both the attraction and the Muppets are surely going to get what they want out of this TV special, especially as it travels through the whole ride. It doesn't drag on, and none of it feels overdone. It's a fun watch and certainly one of the better Muppet programs around.

Tuesday, October 12, 2021

97) Little Shop of Horrors (1960) - A Nostalgic Horror Rental


Director
Roger Corman

Cast
Jonathan Haze - Seymour Krelborn
Mel Welles - Gravis Mushnick 
Jackie Joseph - Audrey Fulquard
Dick Miller - Fouch
Myrtle Vail - Mrs. Krelborn
Wally Kampo - Sgt. Joe Fink
Jack Nicholson - Wilbur Force
Charles B. Griffith - Voice of Audrey, Jr.
Gripe from the Editor ðŸ˜¡
I was all ready to publish this post on October 7. I researched a fair bit of information. I had everything nicely arranged. I just needed to proof it one more time. In the process I decided to change up the standard layout a bit by adding a GIF in the middle of the post. 
It didn't look good so I deleted it. This threw off the alignment in the middle of what I had written. When I tried to fix that, the whole article vanished - pictures, links and all. And just as I was about to hit the undo option, autosave decided to kick in. I tried everything I could to restore my article, but nothing worked. I even had the post open on another computer, and that had somehow updated itself to a blank canvas. I even tried searching for a link to the post's preview I had opened earlier. For a writer, nothing is more painful than seeing work disappear with no hope of recovery. So, here's take two. I'm going completely on memory from what I said the first time. It just sucks I had to write this over again. So much so, it's worth griping about.

~

Jonathan Haze as Seymour Krelborn in Little Shop of Horrors.
At some point in my youth, my brother told me about the movie Little Shop of Horrors. Thanks to him, I knew the basic premise involving a man-eating plant. And that's about all I knew. That much was terrifying for young me. In fact, I recall having a nightmare during my youth about what I pictured a man-eating plant to look like. This was before I even saw the movie.
Regardless, I was interested in watching the 1986 Little Shop of Horrors. That's the one directed by Frank Oz and starring Rick Moranis. 
I seem to recall Jack Nicholson being mentioned at some point in the conversation. However, I don't think I caught on to the fact that there are actually two Little Shop of Horrors movies. Aside from the 1986 film, there's an original movie from 1960 directed by "the Pope of Pop Cinema" himself, Roger Corman. 
Needless to say, my young curious mind wanted to see this "Little Shop of Horrors." I somehow talked my mom into allowing me to rent it. I'm guessing I would have been about 10-years old at the time.  
I recall standing in an aisle at California Video (I've mentioned this place several times before) and finding both films side by side on the rental shelf.
One video cassette cover had a picture of Jack Nicholson, grinning his Jack Nicholson grin at the viewer, and holding a potted flower. The shadow behind his flower shaped like a ravenous plant monster showing its piercing sharp teeth. 
The other video had a large plant monster with sharp teeth and a huge tongue sticking out of its gaping mouth as it popped people in like candy. 
I don't recall how or why I couldn't tell these two apart. I was confused as to which one was the version I wanted to see - namely, the more recent one. 
But I picked the Jack Nicholson cover, checked it out, and watched it. And I was disappointed at the choice I made. My 10-year old self wasn't as appreciative of classic films as I am now. 
Still, I watched it regardless. So, Roger Corman's Little Shop of Horrors was my introduction to the franchise.
The story takes place inside the financially struggling floral shop of Gravis Mushnick (Mel Welles), located in the impoverished part of the city called "Skid Row." His shop sees very few customers walking through the doors. 
One of his two employees, Seymour Krelborn (Jonathan Haze), is rather clumsy and often screws up customer orders. He also has a crush on his co-worker, Audrey Fulquard (Jackie Joseph), which is reciprocated. After he makes one more mistake, Mushnick fires him on the spot. 
In an attempt to save his position, Krelborn says he has a special and unique plant that resembles a Venus Fly Trap which he's been trying to care for. 
Krelborn thinks if Mushnick puts this plant, which he affectionally named "Audrey, Jr.," on display, it will surely attract on-lookers with money in their pockets.
He runs back to his apartment, which he shares with his hypochondriac mother Winifred, to fetch Audrey, Jr. 
He claims to have grown his intriguing plant from some seeds he purchased from a Japanese gardener on Central Avenue.
It's already beginning to wilt as Krelborn doesn't know how to properly care for it. 
When he returns to the shop, Mushnick is less than enthused. But he gives Krelborn one week to figure how to bring some life back into his plant.
Later, while alone with his Audrey, Jr., Krelborn accidentally pricks his finger. While shaking his hand in pain from the sting, his blood lands in the open plant. 
Audrey, Jr., reacts in a way making Krelborn realize it wants more blood. 
He starts feeding the plant by pricking his fingers. But as Audrey, Jr., grows, it needs more than what Krelborn can supply from his finger tips.
Jackie Joseph, Mel Welles, Jonathan Haze, and Dick Miller.
It begins talking and demanding to be fed. 
Its presence in the shop has increased sales. Still, its constant need for food leaves only one path for Krelborn to go down in order to keep the sudden success continuing. 
He doesn't know if he can bring himself to it, but Audrey, Jr., says it'll make it worth his while.
This is an eccentric, outlandish film for sure.
For instance, a lot of the characters have their own weird quirks. 
For instance, Krelborn's mother, Winifred Krelborn (Myrtle Vail) is a hypochondriac. Dick Miller's character, Fouch, enjoys eating flowers. Another of Mushnick's customers, Mrs. Shiva (Leola Wendorff) tells sob stories in an attempt to acquire free flowers. And, of course, the local dentist, Dr. Phoebus Farb, DDS (John Shaner), is in his field for the joy of inflicting pain on his patients. Steve Martin plays the dentist in the '86 film, his character name being Dr. Orin Scrivello. 
The most notable eccentrics in the film is Jack Nicholson's character, Wilbur Force. He visits Dr. Farb because he loves pain like a masochist (in the general use of the term). 
He even reads the latest issue of "Pain" magazine while waiting in the dentist's office. The same character, by the way, is called Arthur Denton in the 1986 movie, and is played by Bill Murray.
But despite the rather over-the-top quirky humor, and obvious low-budget quality, it all still works as an entertaining horror movie. And the gruesome elements aren't watered down.
It comes on like a switch during a scene in which Krelborn witnesses a railroad tramp get hit by a train. 
Since the guy dies from the impact, Krelborn decides to feed his remains to his plant. 
It's worth mentioning that this tramp character is played by Robert Coogan (uncredited in the film). Robert is the brother of Jackie Coogan who played "the kid" in Charlie Chaplin's legendary movie The Kid (1921). Jackie also plays Uncle Fester in the 1960s sitcom The Addams Family. 
When it comes to the comedy, the best lines go to Mr. Mushnick. 
In one scene where he's having dinner with Audrey, Mushnick realizes he forgot his wallet back at the shop. After being chided by the waitress, even before his meal is done, he walks back to the shop to grab some cash. When he gets there, Mushnick witnesses Krelborn feeding Audrey, Jr., severed body parts. 
Shocked, he makes his way back to the restaurant and asks the waitress to bring him whatever kind of booze she can find. 
"Did you bring the money?" she asks. 
"Don't work me with the money. I've got to get drunk, now!" he says. 
The movie's opening narrator is a clearly a spoof of Dragnet, as are the characters Sgt. Joe Fink (Wally Campo) and Officer Frank Stoolie (Jack Warford). They're a rip on Joe Friday and Frank Smith from the classic detective program. This humor might be lost on younger audiences, which certainly isn't the movie's fault. It definitely dates the film, though. 
Some fans speculate that Little Shop of Horrors is inspired by the 1932 John Collier short horror story Green Thoughts about a man-eating plant. 
In his book Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times, author Dennis McDougal thinks it may have been inspired by the 1956 science fiction horror story The Reluctant Orchid  by Arthur C. Clarke. 
Clarke's story is inspired by H.G. Wells's story The Flowering of the Strange Orchid. Wherever the idea stems from, it's now fairly well known.  
Neither version of the film is obscure. The Corman film later became a stage musical in 1982, which is when the popularity really took off. It led to the 1986 musical movie followed by thousands upon thousands of high school and community theater productions. It even became a Saturday morning cartoon called Little Shop that aired on Fox Kids TV for one season back in 1991. 
While the carnivorous plant is named "Audrey II" in the musical version, it's called "Junior" in the animated series. Is that a nod to the Corman original? I'd like to think so.   

Incidentally, the 1986 film has two endings. There's the theatrical ending, and an original ending. The latter is somewhat similar to this movie's ending insofar as Krelborn's fate is concerned. 
I've seen stage productions ending the same way, accompanied by the song "Don't Feed the Plants." There is a lot to say about the Frank Oz film, but that's another post for another time.  
It seems the second biggest claim to fame for this movie is Jack Nicholson's cameo. His appearance on the VHS cover is rather misleading in that not only is his appearance short, but his character never interacts or even appears with Audrey, Jr., in any scene.
And the claim that this is his "first motion picture performance" is simply wrong.
Before his Little Shop of Horrors cameo, Nicholson had in a lead role in the film The Cry Baby Killer (1958), produced by Corman and directed by Joe Addis. 
By the way. he also stars in another well known Corman movie, The Terror (1963) were he appears alongside Boris Karloff.  
Another legend in the horror genre, Dick Miller, has appeared in a large handful of Corman's earlier films such as Apache Woman (1955), It Conquered the World (1956), The Undead (1957). Bucket of Blood (1959), The Terror (1963), and X: The Man With X-ray Eyes (1963) to name a few.
With Little Shop of Horrors, it's not the last time Miller and Jackie Joseph would work with each other. They're both in the Joe Dante films Gremlins (1984) and Gremlins 2: The New Batch (1990) where they play Mr. and Mrs. Futterman in both movies.
Little Shop of Horrors is a drive-in style, or late night Creature Feature comedy horror that's fun to watch for its own sake. It's certainly a foundational film, and one that deserves to be on the same pedestal as other such classics like Night of the Living Dead and Godzilla: King of the Monsters.