Saturday, February 24, 2024

184) Ghostbusters II (1989)


Director
Ivan Reitman

Cast
Bill Murray - Peter Venkman
Dan Aykroyd - Raymond Stantz
Ernie Hudson - Winston Zeddemore
Harold Ramis - Egon Spengler
Sigourney Weaver - Dana Barrett
Rick Moranis - Louis Tully
Annie Potts - Janine Melnitz
Peter MacNicol - Janosz Poha
Wilhelm von Homburg - Vigo the Carpathian
Max von Sydow - Voice of Vigo
Kurt Fuller - Jack Hardemeyer
David Margulies - Mayor Lenny Clotch


For readers honored, blessed and privileged to personally know me, they must be saying to themselves "Of course Mike would review 'Ghostbusters'." Well, I waited five years since starting this blog to finally include a Ghostbusters movie on this platform. With a fourth Ghostbusters movie just around the corner (who would've thought?) I wanted to make some comments about the second movie in the Ghostbusters line-up. 
By the way, I shared my comments on the teaser trailer for the upcoming movie "Ghostbusters: Frozen Empire." And you can read my review for the last Ghostbusters movie, "Ghostbusters: Afterlife," on the Junction City Union website. 
As I write this, two full trailers for the upcoming movie were released today - one domestic and one international. 
While I'm excited to see where things go in the upcoming Ghostbusters movie, my initial impression is that it seems like "Frozen Empire" will be another movie sequel that relies too heavily on call-backs to part one and maybe part two. 
Based on these two trailers, while it looks like it might be a fun movie, I get an impression that the comedy won't be terribly strong. I got a laugh at one or two lines in the trailer.  
Plus, the upcoming movie has a ton of characters to keep on top of. There's the OG Ghostbusters, some new supporting cast, and the cast from "Ghostbusters: Afterlife." 
Anyways, there have been few movies released in my lifetime where I was so eager to see them, I actually had dreams about it prior to seeing.  
"Ghostbusters 2" was one of those movies. "It: Chapter Two" was another. And, for some weird reason, "The NeverEnding Story II" was another such movie. We'll talk about that another time. 
My friends know that when it comes to the 1984 comedy, "Ghostbusters," I am a self-proclaimed "Ghost-Head." I have some nostalgic investment for the movie. 
Few movies have I seen more.
As a kid, I remember the dreadful anticipation I had when the library ghost scene approached. It took a generous portion of courage to sit through that scene. Otherwise, I would run out of the room and hide, listening for it to finish. 
Anyways, when trailers for "Ghostbusters II" were released back in '89, my seven-year-old self was bursting with anticipation. 
Of course, I loved the sequel back then. The Ghostbusters were back for something different, and I was completely on board.
Now, in my adult years, showing my own kids "Ghostbusters II," my thoughts are clearer on this sequel. 
No doubt, I'm not about to say anything that hasn't already been said. 
"Ghostbusters II" picks up five years after the Ghostbusters saved New York from an impending apocalypse that Gozer, a god of destruction, tried to unleash upon the world in part one. 
Now, despite being hailed and welcomed as heroes during the supernatural events of the first movie, the Ghostbusters have been dealing with lawsuits upon lawsuits for the destruction wrought upon New York. They've been forced out of business and are now looked down upon by the city they saved not that long ago. 
Ray Stantz (Dan Aykroyd) and Winston Zeddemore (Ernie Hudson) make guest appearances at birthday parties. Stantz also owns an occult bookstore called "Ray's Occult." Egon Spengler (Harold Ramis) works in a lab studying human emotions. And Peter Venkman (Bill Murray) hosts a local television show called "World of the Psychic." 
The film opens with Dana Barrett (Sigourney Weaver) walking back to her apartment, pushing her baby, Oscar, in a carriage. 
She unwittingly rolls it over a small puddle of pink slime oozing from a crack in the sidewalk. That's probably not the worst thing to permeate out of a New York City sidewalk. 
Suddenly the carriage starts rolling away from her. It starts off slowly and then moves faster and faster away, while still carrying baby Oscar, as Dana chases it. It eventually stops suddenly in the middle of a busy New York City intersection. 
Dana reaches out to Ray and Egon, but not Peter after considering their relationship in part one, to investigate how the stroller seemed to roll itself at top speed right into the middle of city traffic. 
But Venkman catches wind that Ray and Egon are helping his old girlfriend and butts into their research.
The paranormal readings they take with their gadgetry at the spot where the carriage stopped are unusually high. So, Ray, Peter, and Egon take it upon themselves to start digging in the middle of the street to see what's hiding underneath. 
They discover a river of slime flowing under the streets along the route of an old, abandoned transit line. 
Of course, they're quickly arrested for this unauthorized digging but not before Ray, who's dangling by a wire underground, collects a sample of this slime. After the slime tries to pull him under, he accidentally causes a massive blackout across the entire city.  
During their court trial, in which this slime is presented as evidence, it becomes clear the mysterious viscous substance responds to human emotion. And when the judge explodes with anger at the Ghostbusters for the damage they've cause, the slime also as an explosive effect. It bubbles over until two ghosts emerge whom the judge recognizes as the Scoleri brothers - two murderers the judge sentenced to death by electrocution. 
The ghosts attack the courtroom until the Ghostbusters put their proton packs back on and save the day.... or save justice...or, I don't know. They catch the ghosts and that somehow brings them back to legitimacy throughout New York. 
They investigate the psycho-reactive slime (slime that reacts to human behavior) that has been collecting and pooling underneath the city. And it all happens to flow straight underneath the art museum where Dana works.
The art museum has a painting of a 16th-century European madman named Vigo the Carpathian which Dana swears has been coming to life. That's because it has been coming to life thanks to the slime underneath the museum. 
Vigo's spirit begins inhabiting the painting and takes possession of the museum's department head and Dana's boss, Janosz Poha (Peter MacNicol). Vigo demands Janosz to find him a baby that his soul can inhabit so he can live once again and rule the world. 
As Janosz has a crush on Dana, he chooses her baby as a vessel for Vigo's soul to inhabit and take over. The Ghostbusters of course aren't going to let that happen. 
Wilhelm von Homburg as Vigo the Carpathian.
Since the first "Ghostbusters" is a comedy best summarized as lighting in a bottle, part two really tries to recreate that, but doesn't quite accomplish what the first movie did. 
It's different but the same. 
While the story line and the final big bad ghost are different, the general plot is the same as the first. A supernatural source causes a buildup of supernatural phenomenon throughout New York enough to keep the Ghostbusters busy until in culminates to one ultimate spooky showdown with a big bad ghost who wants to rule the world.  
As the first film takes the center of the story to the top of a New York City high rise, the sequel takes the center under the streets of New York.  
As a comedy, the first movie is true lightning-in-a- bottle. Its premise is a classic comedy scenario involving four comedians trying to do something outlandish - capture ghosts. "Ghostbusters" sits proudly with other paranormal comedies like the Abbott and Costello film "Hold That Ghost" as well their "Meet the Monsters" movies. The 1940 horror comedy, "The Ghost Breakers" starring Bob Hope and Paulette Goddard deserves a nod here. By the way, Hope and Goddard previously appeared together in the 1939 horror comedy "The Cat and the Canary." 
"Ghostbusters II" manages to be liked by fans well enough, though its comedy tries hard to be the lightning -in-a-bottle comedy the first is. 
It doesn't quite work as well as before. But that's not to say the entire sequel is terrible. It has some hilarious moments and memorable scenes.  
My main complaint about the movie is where the story picks up after the events of part one and what's become of the Ghostbusters since. It doesn't make sense that after all the Ghostbusters did for New York City just five years earlier in front of multiple eyewitnesses, they'd be forgotten and despised as frauds. However, I can believe five years later they'd be dealing with lawsuits and court appearances for the destruction and everything that happened in part one. That's how the movie should have started -with the court scene that's already in the movie. And instead of being completely disbanded as Ghostbusters, their organization should still exist to some degree. Also, part two takes some inspiration from the animated cartoon "The Real Ghostbusters." It's clearly done just for marketing purposes. It's distracting and unnecessary. The cartoon is the cartoon. The movie is the movie. 
"Ghostbusters II" is entertaining enough but it needs some more solid thought behind it. It tries to be too much while not being enough. 

Trivia
In my "Psycho IV" post, I included the following trivia question:
"The Sixth Sense" (1999) is the second movie in which Bruce Willis is paired with a character named Cole who sees dead people. What is the other film? 

Answer: 12 Monkeys. 

Monday, February 19, 2024

183) Psycho IV: The Beginning (1990) - The Psycho Series Concluded


Director 
Mick Garris

Cast
Anthony Perkins - Norman Bates
Henry Thomas - Young Norman Bates
Olivia Hussey - Norma Bates
CCH Pounder - Fran Ambrose
Warren Frost - Dr. Leo Richmond
Donna Mitchell - Connie Bates
Thomas Schuster - Chet Rudolph
Sharen Camille - Holly


The "Beginning" marks the end.
After the underwhelming and pointless bore-fest that is the 1987 made-for-TV movie, "Bates Motel," Hollywood writers gave that movie a symbolic middle finger. Why? Well, "Bates Motel" retcons "Psycho II & III" and tells a tale without Norman Bates. He's an afterthought.
So, Anthony Perkins along with these writers made their own made-for-TV "Psycho" installment that completely ignores "Bates Motel." 
The movie is called "the beginning" while it ends the film series. 
In this movie, radio talk show host Fran Ambrose (CCH Pounder) along with her guest host Dr. Leo Richmond (Warren Frost) hosts a show covering the topic of matricide.
At his home, Norman Bates (Anthony Perkins) happens to hear the show and decides to call in under the pseudonym "Ed." 
If anyone knows about matricide, it's Norman Bates. He opens up to Ambrose and Richmond, telling them about his childhood upbringing and his relationship with his mother, Norma Bates (Olivia Hussey). He breaks down the control she had over him.
Henry Thomas plays teenage Norman, who's story is told through flashbacks. 
He starts with discussing his murdering of a girl named Holly (Sharen Camille) who checked into the Bates Motel when Bates as a teen, and then tried to seduce him sex. 
The narrative jumps around as Bates discusses the death of his father, and the mental abuse Norma, who suffers from schizophrenia and borderline personality disorder, inflicts on Norman. In some situations, their mother and son relationship leans a little too close to incestuous.  
At one point, Norma becomes engaged to a guy named Chet Rudolph (Thomas Schuster). He bullies Norman at times which amuses Norma. 
In another moment, Norma forces her son to wear a dress and paint his lips in an attempt to emasculate and humiliate him as a form of punishment. She forces him to look at himself in a mirror while berating him. Norma even suggests she should have aborted him. Some of this abuse stems from Norma's frustration that business at the motel is dwindling, especially after a highway is built nearby. 
Henry Thomas and Olivia Hussey as Norman and Norma Bates in "Psycho IV: The Beginning."

Her mental abuse becomes intense, leading to her domination over him. Finally, having had enough and driven mad with jealousy and anger, Norman poisons Chet and Norma's iced tea after he sees the two of them in bed. 
Once they're both dead, he disposes of Chet's body and preserves his mother's remains. 
Norman then begins to develop a split personality, dressing and speaking like his mother in order to cover up the guilt he has for murdering her.  
As Norman talks to Ambrose, Dr. Richmond begins to suspect that "Ed" is actually Norman Bates. But Ambrose doesn't want "Ed" to know whom they suspect he really is lest they lose him. 
Norman reveals on air that he's planning on killing his wife, Connie (Donna Mitchell), that very night. Connie is pregnant and Norman doesn't want to bring another Bates into the world lest his offspring has the same mental issues and split personality he and his mother have. 
Now, Ambrose is left trying to dissuade Bates from carrying out another murder. 
It all ends in "Psycho: The Beginning." Or at least it should. A near shot-for-shot remake of "Psycho" came out in 1998. 
And the TV series "Bates Motel" ran for five seasons from 2013 to 2017. 
As a movie that gives insight into Norman Bates's early life, his relationship with his mother, and moves the franchise along smoothly to a welcoming and much needed conclusion, "Psycho IV" isn't a bad story. By calling into a radio station, it's Norman's way of confessing his dark crimes to the world. 
In fact, exploring the disturbing relationship between Norman and his mother makes this movie the darkest, most twisted and psychotic movie of the series. 
Henry Thomas nails the role of young Norman amazingly and impressively well. He presents the same level of vulnerability and inner chaotic turmoil that matches Anthony Perkins's portrayal of Bates.  
Perkins, by the way, hasn't missed a beat since playing Bates in the first movie. He's just as disturbing and intense as he is in Hitchcock's original picture. He sadly died two years after the release of "Psycho IV." 
We've seen everything we've needed to see. Anything after "Psycho IV" can only be a greedy cash grab, whether it's a TV series, or remake, or a continuation. So far, there have been no continuations. 
There's nowhere left to go but back to the original horror masterpiece from Alfred Hitchcock. "The Beginning" is a careful and respectful end that started with Hitchcock's masterful horror thriller. 


Trivia: I stopped including trivia questions in my posts, but I'm including one now. 
"The Sixth Sense" (1999) is the second movie in which Bruce Willis is paired with a character named Cole who sees dead people. What is the other film? 

Stay tuned for the answer in my next post... 

Sunday, February 4, 2024

182) Bates Motel (1987) - The Psycho Series Continued

"I think with a little luck, we're gonna do okay here. I think Norman would have liked that."

Director
Richard Rothstein

Cast
Bud Cort - Alex West
Lori Petty - Willie
Moses Gunn - Henry Watson
Gregg Henry - Tom Fuller
Khrystyne Haje - Sally
Jason Bateman - Tony Scotti
Kerrie Keane - Barbara Peters
Robert Picardo - Dr. Goodman
Lee de Broux - Sheriff
Kurt Paul - Norman Bates


As I watched the made-for-TV movie "Bates Motel," which is an offshoot of Hitchcock's "Psycho," I sat waiting for something to happen. Spoiler - nothing happens! So, it's a completely unnecessary installment in the Psycho series. And, really, that's all anyone needs to know about this movie. But if readers want to see what else I have to say, please continue reading. Otherwise, I won't be upset if anyone stops here.
If 1980s Hallmark got a hold of the franchise rights and made a Psycho movie, this would be it. 
It's a direct sequel to Hitchcock's "Psycho." So, it ignores everything that happens in "Psycho II" and "Psycho III." The worst part about it is that it doesn't even center on Norman Bates at all. Bates, played very briefly by Kurt Paul, only appears in the beginning of the movie. 
The film starts with Bates leaving the courthouse and heading off to the asylum after the Marion Crane murder from the first movie. There, he befriends a young boy named Alex West (Bud Cort) who's mentally disturbed and was admitted into the asylum for killing his abusive stepfather.
Bates acts a sort of father figure for West. 
About twenty-years later, Bates dies and leaves West his motel. 
When he's released from the asylum, West heads to Fairville (which was called Fairvale in the original "Psycho") to live at the motel. 
Once he makes it to Fairville, he meets handyman Henry Watson (Moses Gunn) who drives him to the motel and tells him it's haunted. 
Inside Norman's old house overlooking the property, West runs into Willie (Lori Petty), a teenage runaway who is squatting inside the house. 
As the motel is rundown, West manages to obtain a bank loan from the bank loan agent Tom Fuller (Gregg Henry) for renovations. He then convinces Watson to get a work crew together.
The process is hindered by weird accidents and chatter about alleged hauntings. 
The remains of Norman's mother are discovered, as well as his father. 
Interestingly enough, when Mrs. Bates's bones are found, the sheriff (Lee de Broux) says that her remains
Lori Petty and Bud Cort in "Bates Motel."
 had never been found until now. The writers must have missed the plot point in "Psycho" where Mrs. Bates's remains were hidden in the basement and found when Norman was arrested. 
Also, during the renovation process, West keeps seeing Mrs. Bates's shadow in her bedroom window. 
When looking out of the bedroom window, he sees the dead body of Mr. Bates with a knife in his chest, laying underneath the motel sign. 
Finally, the motel renovations are finished. The rooms are new and improved, and West has a small restaurant built on the property. 
On opening day of the new Bates Motel, guests just aren't pouring in. In fact, no one shows up. 
West tells Willie that his first loan payment of $10,000 is due the next day. 
Just then, a guest finally pulls in. Barbara Peters (Kerrie Keane) books a room for the night. 
Unbeknownst to West, she's planning on committing suicide because she's middle aged and hasn't yet found love. 
This is when the movie takes a turn away from all that's going on. The story shifts focus onto Barbara. 
A large group of teenagers, who are dressed like it's the 1950s, arrive at the motel after their prom. The movie doesn't address their dated appearance. But it stands out as the movie takes place in current time. 
While Barbara is sitting in the bathtub contemplating suicide, one of the teens named Sally (Khrystyne Haje) accidentally enters her room thinking it's her own room. 
She invites Barbara to a party the kids are holding at the motel. Even West is there handing out punch for everyone. 
Barbara goes, and Sally introduces her to another teen named Tony (Jason Bateman who's shy and lonely. 
Despite the age difference, Tony asks her to dance. While dancing, he tells her how pretty she is and then the two almost kiss. 
Barbara catches herself and tells Tony that he's just a kid and getting romantic with him isn't right. 
When she goes back to her room, Sally comes in and knows Barbara wants to kill herself. 
It turns out Barbara's real name is also Sally, and the young Sally actually killed herself 25 years ago. So, Sally is a ghost as are all the other kids she came with. They all committed suicide. 
Sally and the rest of the kids tell her that the afterlife for suicides is awful, and life is worth living. Then Sally and the rest of the teenage ghosts drive off. 
Barbara leaves the next day, a lot more chipper than when she arrived. 
Meanwhile, it turns out that Tom the loan officer is behind the alleged hauntings and unreasonable terms of repayment in an attempt to hinder West's plans in order to gain access to the prime real estate that the motel sits on. 
And spoiler. That's the end!
The story builds up to nothing as the Bates Motel is remodeled. And it's not even the slightest bit terrifying. It's not even adorably spooky. I've seen scarier haunted attractions at neighborhood carnivals. 
Norman is the only terrifying aspect of the whole franchise. If he's gone, what's left? According to this movie, there isn't anything left except some urban ghost stories surrounding the motel darkened by the Bates murders. 
West fixes it up, and it all ends on a promising note. I missed the point of the movie, unless the promising future of the Bates Motel was the point. 
As if the movie finally catches on that there's nothing happening, the story's final act focuses completely off West and onto Barbara with an out-of-place ghost story and suicide prevention message, starring a young Jason Bateman. I don't know if this is supposed to correct the evil wrongs that occurred at the motel. Seeing as how Barbara stays in room 12 rather than room one as Marion did in the original, I doubt it. And these dead teenagers aren't victims of Norman Bates. Rather. they killed themselves. They have nothing to do with the motel nor the original plot. Plus, West can see them, and hands out punch at their party. So, did they all arrive to help Barbara? Or, did they show up and happen to find Barbara about to make the same mistake they did, and decide to help? Who knows?
All throughout the movie, Bud Cort keeps a look on his face like he's a wide-eyed innocent young kid witnessing reality for the first time. He carries no other emotion except bewilderment throughout the whole movie. 
This is a completely underwhelming and totally unnecessary film. It's almost amazing how underwhelming this movie is. They couldn't call it "Psycho" because the actual psycho - Norman Bates - is dead. So, the movie has to be about the actual motel instead. So, what about the motel? Is it haunted? If it is, who's doing the haunting? Well, the motel gets a renovation which adds some new life to it. And then some random lady is saved from suicide by some random ghosts. Neither of them have anything to do with the motel. Is the motel now a conduit for the paranormal? I don't know. Who even cares? 
Hardly anything worth watching actually happens, and it all concludes with a couple characters in rubber Halloween masks, only to reveal themselves like the resolution of a Scooby-Doo cartoon. 
After Barbara's unrelated story is resolved, Alex West boyishly stares into the camera, breaking the fourth wall, and tells the television audience, "We're gonna do okay here. I think Norman would have liked that."
Thankfully, the next movie, "Psycho IV: The Beginning" will do the only thing anyone can do - completely ignore "Bates Motel."