Friday, June 25, 2021

NEW HORROR RELEASES - 86) Malefice: A True Story of a Demonic Haunting

"Demons don't ask for prayers." 

Director
Billy Lewis

Cast
Sean Austin
Dave Spinks
Eric Conner
Ralph Sarchie


When it comes to the paranormal, I'm more skeptical of people who call themselves "experts" than I am of the existence of demons and ghosts.

If outer space is the great unknown, life after death is even more so. And the outer-space experts study years to become such.

In regards to spirits and the afterlife, there's so much unknown which we'll only find out after we shuffle off our mortal coil. Do human souls really haunt locations? If so, why would a soul stay in a certain spot for years, even centuries after death? And why do they stay in abandoned homes, attics, and basements? Self-proclaimed paranormal "experts" in movies and programs that surround the topic of ghostly activity often give audiences an answer to the "whys." They might claim with absolute certainty in front of cameras that spirits are bound by "unfinished business" or "they're scared to go towards the light." But what do they know for sure and how do they know it? Being a researcher is one thing. Being an expert of the unknown needs a lot of substance.

I question how someone can claim to be an "expert" in the field of the paranormal. It's a lot speculation and conjecture that's passed off as certainty.

The independent thriller documentary Malefice: A True Story of a Demonic Haunting was released through the streaming service ScareNetwork.tv on June 15. I was invited to watch an early viewing of it. 

The documentary surrounds paranormal investigator Sean Austin, a lead investigator on the Travel Channel series, Ghost Loop, who believes he assisted the souls of deceased women into the next life while conducting a paranormal investigation inside an old house in Ohio five years ago.

He claims these souls were trapped inside the house by malevolent forces, with audio recordings of alleged spirits and demons to back up the claims. According the Austin, these women were kept in the house against their will during their lifetime by someone who tortured and killed them.

Austin also claims that in the five years following this incident, demonic forces have been trying to retaliate for his stealing those souls from it. 

Now, he attempts to rid himself of this demonic infestation in his life once and for all by returning to the original Ohio home with fellow investigators, Dave Spinks and Eric Conner to help him send these demons back to hell.

Paranormal investigator Sean Austin.
The documentary guest stars Ralph Sarchie, a retired New York Police Sargant turned "traditional Catholic" demonologist. Sarchie is the inspiration behind the 2014 horror film Deliver Us From Evil. 

I don't think you can discuss the existence of spirits without going into religion because religious institutions are the front runners in any discussion of an afterlife. So, pardon me if I sound preachy.

Austin's claims his knowledge of what took place in that home- the women who were supposedly tortured and killed - comes from mental images he received during the investigation. All claims are presented as being understood that this is how it all works. There's nothing to back these claims up other than Austin's mental vision. We have to take this history at his word. 

One thing I find frustrating about many paranormal investigation programs is the lack of any serious inquiry towards the spirits people think their communicating with. Not many ask about the reality of the afterlife nor what death is like. Rather, they ask spirits how many fingers are they holding up, and if they can kick a ball around. 

If these investigators are actually in contact with a spirit from beyond, and maybe they are, that's a huge breakthrough as far as any investigation and research is concerned. There's so much to ask about life after death, heaven and hell, and why spirits take up residence in the basement of an abandoned house rather than someplace that's less of a drag. 

To Austin and his team's credit, their questioning is taken more seriously than many popular TV ghost hunting show.

On one of their nights investigating, the crew use radio devices called a Gateway which eliminates radio interruption so ghosts can speak more freely through radio signals. 

They use three of these Gateways in order to provide a wide spectrum of frequencies. I don't follow why spirits need radio signals to communicate. Regardless, Austin does ask the supposed voices he claims are the spirits and even the demon(s) about what took place while these women were alive, and what they endured. These radio voices supposedly back up his claims. And it's all presented as understood.

The claims would certainly be more credible if some historic documentation was presented. But it's not. The only claim of veracity to the backstory of this building is paranormal investigator Austin's mental visions and voices on the radio. How does that verify anything? It would certainly be more believable if there was something substantial indicating what the house was previously used for, and who used to live there. 

Where's the police involvement? Where's the factual history of the house? Who was the previous owner? All the audience has is what Austin saw in his head. 

Catholic prayers and practices are used in the attempt to exorcise the demonic entities. This includes Austin's use of the Roman Rite of Exorcism used by Catholic priests. 

As a Catholic myself, I was under the impression the Roman Rite of Exorcism was reserved for ordained Catholic priests with the explicit permission from their Bishop, following an investigating into the claim of demonic activity, according to Canon Law. That's one thing these paranormal experts don't seem to mention. Exorcist, after all, is one of the minor orders a seminarian receives on his way to becoming a priest. Would the Catholic Church, or any religion, consider mental visions and some radios to be evidence of demonic activity?

And while anyone can say certain prayers of exorcism, such as the Catholic prayer to St. Michael the Archangel which is recited in the movie, the Roman Ritual is reserved for ordained clergy in the Catholic Church. I mention this because of the way those in the documentary present themselves as experts to the audience.

Nevertheless, I have to cheer for their resorting to Catholic prayers. Call me biased, but how could I not do so? 

Demonologist Ralph Sarchie

The intriguing part of this documentary is its "what if" aspect. What if hauntings are real? That's what most of the paranormal programs have going for them as far as keeping an audience's attention. 

It's the ghost story aspect that kept me sticking around to the end. I took the ghosts, or rather the idea that maybe they're actually there, more seriously than the actual living people in the film.

Otherwise, the documentary comes across as pretentious, and with little to fall back on. Aside from the creepiness of the whole scenario, which is done well, the rest is irritatingly self-conceited and frustrating. 

There's hardly anything informative in this documentary for the audience to take away. I'd still like to know if there were, in fact, women who were tortured and killed in this house, and if their remains were ever found.

Malefice is more of a showcase about this team trying to gain evidence of ghosts, and their thoughts along the way. For audiences watching this, thoughts and questions about death, ghosts, and demons are a byproduct of watching a few guys "hunting" ghosts for an hour and a half. The solidity in the documentary's reasons as to why I'm supposed to believe the word of these experts is just ridiculously lacking. All we have is their word. Why? Because they're "experts" of the unknown.

Wednesday, June 9, 2021

85) Tusk (2014)


Director
Kevin Smith

Cast
Justin Long - Wallace Bryton
Genesis Rodriguez - Ally Leon
Haley Joel Osment - Teddy Craft
Michael Parks - Howard Howe
Johnny Depp - Guy Lapointe

Comic book guru Kevin Smith's famous (or infamous) horror film Tusk isn't necessarily obscure. 
I initially wasn't going to share my thoughts on this imaginative horror film, but like all the other times I've said "I wasn't going to..." I'm going to.
This is a film that is not meant for everyone. I suppose that's true for any horror movie, or really any movie of any genre. But Tusk is one film in the horror aisle where this disclaimer needs to be emphasized. 
Last August, I wrote a post called Did Tom Six and Rob Zombie Take Horror Too Far? in which I discussed the Dutch horror movie The Human Centipede. 
In the post, I said:

I reluctantly have to give this film credit in that it went beyond the standard norms of SciFi horror films which take grisly scenarios and water them down as far as content goes. Teens are generally the target audience so there has to be a line drawn somewhere, even among slasher flicks. Movie makers can depict a head being severed, or a naked woman being sawed in half, but some lines still can't be crossed. I don't know what those lines are exactly. And quite possibly, neither do movie makers.
The entire purpose behind The Human Centipede seems only to cross lines - to elevate the horror genre to something even more unspeakable than before.

The same can certainly be said of Tusk. However, unlike The Human Centipede, Smith's movie comes from an area of a dark and twisted imagination lies closer to the mental realm where comical and inquisitive thoughts are born, such as "what would happen if someone was surgically transformed into a walrus?"
That's Tusk.
In this movie two friends, Wallace Bryton (Justin Long) and Teddy Craft (Haley Joel Osment) host the "Not-See Party" podcast in which they search social media for humiliating viral videos for the sake of public mockery and ridicule. 
As the movie starts, Bryton and Craft mock a young boy who inadvertently became an internet celebrity for accidentally severing his leg with a katana sword. 
Bryton flies to Manitoba, Canada to interview the kid in the viral "Kill Bill Kid" video as it's called.
When he reaches his destination, Bryton learns the young boy committed suicide because of the unwanted fame and global humiliation. 
Not wanting to have his trip turn into a waste, he looks for another person to talk to for the podcast.
Bryton soon finds a post on a community billboard advertising a room in their home and free "interesting stories."  
Thinking this may be the only opportunity to head back with something worthwhile for the podcast, he calls the number on the flyer, and is invited to the huge estate of Howard Howe (Michael Parks). 
When Bryton arrives, Howe- a retired seaman whose confined to a wheelchair - invites him in for some tea.      
He tells Bryton about an experience he had with a walrus he dubbed "Mr. Tusk" that rescued him from a shipwreck. 
Michael Parks and Justin Long in Tusk.
As he's sharing this interesting story, Bryton passes out thanks to his tea being laced with some kind of sedative. 
When he awakens the next morning, he finds that Howe can walk. But that's not the biggest alarm. He also finds himself strapped to a wheelchair and his left leg amputated. 
Howe quickly informs Bryton that he's going to surgically transform him into a well constructed form of Mr. Tusk.
When Howe isn't looking, Bryton manages to send a voicemail to his girlfriend, Ally (Genesis Rodriguez) before his maniacal kidnapper knocks him unconscious. 
Meanwhile, Ally and Craft fly to Manitoba to find Bryton without knowing where exactly he is. 
Howe continues to mutilate and transform Bryton while telling him how he was sexually abused by clergy for years while he was a foster child.
Howe sews together large pieces of human flesh to alter Bryton's appearance, and surgically inserts large tusks made from the tibia bones in his severed legs.
Finally, Howe's victim is a monstrosity in the shape of a walrus - fins, tail, tusks, and all.
Ally and Craft enlist the help of a French Canadian Inspector named Guy Lapointe (Johnny Depp) who, it turns out, has been searching for Howe for years.
He's certain Howe has Bryton, and is just as determined to find him as he's always been. 
Lapointe believes Bryton is still alive, but tells Ally and Craft he may not appear as they remember him. 
Back at Howe's place, he keeps Bryton in a pool under the house, and forces him to act and think like a walrus. 
He also opens up to Bryton, admitting he killed Mr. Tusk and ate him before being rescued. He now lives with the guilt of killing his flippered savior.
So, for the sake of reliving his final moments of joy with Mr. Tusk, Howe has spent 15 years kidnapping victims, surgically transforming them into walrus creatures, and trying to relive the past. 
Bryton the walrus has nothing to lose now, so he engages Howe in a fight. 
If he's to suffer in human skin sewn to look like a walrus's pelt, he might as well thrown in a serious punch (figuratively speaking).
Tusk is to be taken precisely for the twisted and horrific story it is. I can't say this is a good movie nor can I say it's bad. I can't even say I recommend it.
The grotesqueries are unsettling for sure. And Justin Long's walrus make-up is absolutely impressive and most certainly unforgettable. Well, the entire movie is unforgettable. Once you watch it, you can't take it back. You can't wash it out of your memory. It'll always be that Kevin Smith movie about the guy who's turned into a walrus. 
Tusk is Kevin Smith's own demented version of something along the lines of The Human Centipede
And everyone in this movie, despite the horrid nature of it all, puts in so much effort as though they're all in on one monumental joke. 
Michael Parks is impressive as a maniacal old sailor burden with years of guilt for killing his walrus buddy. Despite the ridiculousness of that premise, he plays out the character demented old character well.
Johnny Depp's character, however, grows irritating as he rambles on in distracting, sometimes pointless, dialogue and exposition with his faux French Canadian accent. Guy Lapointe seems like a poor man's version of Peter Seller's Salty Swedish Sea Dog character from Revenge of the Pink Panther. 
While the makeup makes Depp nearly unrecognizable, the rest of his character takes the realism out of the movie. That's odd to say about a movie that centers on a person being surgically mutilated into a walrus. But this movie's tone leans far into realism with the dark...very dark...humor in its premise.
Tusk is an experience for those with stomachs of iron.  
Evidently, the idea for the movie comes from a story Smith told on his weekly podcast, SModcast.
In a particular episode, Smith and his friend and producer, Scott Mosier, spoke of an advertisement found on the British-based classified ads website, gumtree.com. 
The ad was supposedly placed on the website by a homeowner looking for a roommate, and willing to provide living space rent free provided the roommate dress like a walrus. 
Smith gave his listeners a chance to decide whether he should make such a movie by logging into Twitter and tweeting "#WalrusYes" or "#WalrusNo." 
Though the ad turned out to be a prank, the movie is real. 
What Smith is trying to accomplish with his movie, I think he succeeded. I doubt he's trying to create something absolutely phenomenal in the genre of horror. Rather, Smith creates one of the darkest, strangest, unforgettable film experiences I and surely others have ever seen. Who can argue Tusk is none of those things?