Monday, July 22, 2019

23) Warlock (1989)

All witches keep grimoires, yet one is indestructible, one is the bible of black magic - the Grand Grimoire.

Director

Steve Miner

Cast
Julian Sands - The Warlock
Lori Singer - Kassandra
Richard Grant - Giles Redferne

Warlock may not be as obscure as other movies as it seems well known among horror movie fans. Though it's no B-movie, it doesn't seem too well known among the general population.
I saw this movie probably 30 years ago and some scenes have stuck with me all this time since because of its shock value.
The last time I watched this was two nights ago after I found a VHS copy at a horror movie convention in St. Joseph, Mo., last weekend.
What makes Warlock stand out are scenes that really drive home the evil of the main antagonist, the Warlock (Julian Sands).
In the movie, the Grand Grimoire - an ancient book which has been separated into three parts and hidden in different locations - will reveal to him the true name of God. The devil himself has commanded the Warlock to reassemble to book and read aloud God's name backwards which will result in the destruction of all creation. Wow- what a low blow! I mean ALL OF CREATION. Not just someone's dog, or someone's grandma, or maybe a section in New York, or a few neighborhoods out in the burbs getting destroyed. Everything!
The movie starts out in 1691 Massachusetts where a witch-hunter named Giles Redferne (Richard Grant) has arrested the Warlock and sentenced him to death for all sorts of evil deeds, including the death of Redferne's wife.
Just before execution is to be carried out, the devil sends the Warlock into the future - 20th century Los Angeles to be exact. And what crazy shenanigans will this bad 17th century guy-witch get into out there in L.A.? Stay tuned to find out! In the meantime, the Grimoire has been hidden by monks in three separate places, which the Warlock now needs to go find.
He crash lands through the front room window of Kassandra (Lori Singer) and her gay roommate, Chas. Rather than have the police take this unconscious stranger out of their home, they lay him on a bed to care for him (Because L.A. folk are known for being that caring!)
Kassandra goes off to work the next morning while Chas stays home alone with the Warlock - oblivious to the fact that he is a Warlock, of course.
He attacks Chas by cutting off his finger to steal a ring, and then biting off his tongue, throwing it in a frying pan, and leaving him to die from the shock. Now we know who we're dealing with!
Somehow, the police are notified, pick Kassandra up while she's at work, and question her.
She then runs into Redferne who followed the Warlock into 1989s version of L.A. and insists she help him track down and destroy the Warlock before he finds all three pieces of the Grimoire and destroys creation.
Unfortunately, Sands's performance seems bored. He's playing a 17th Century dude-witch hellbent on evil. And though he does a great job at conveying the evil that's in him - that makes him who he is - unhindered by any boundary, he's stoic with very little emotion. Evil doesn't mean bland.  
Richard Grant, however, is the opposite as he's all gung-ho on capturing and destroying the Warlock.
He's pretty animated, yet really serious, in his role.
The comic relief comes in the form of these 17th century folks not understanding 20th Century culture, yet they don't overdue it, which would otherwise be a distraction. Instead, Redferne just goes along with all the strangeness he's witnessing, keeping focused on the task at hand. He asks a few questions here and there, but doesn't allow himself to get so immersed in the strange new world he's entered. Meanwhile, the Warlock focuses on finding the Grand Grimoire, as he blah-blahs and stuff through the movie.
But the horror is what makes this an entertaining movie. It's imaginative. Granted the special effects are dated, but the effort is certainly there.
The producers pulled no punches in making sure the audience knew how evil the Warlock is.
His evil nature centers around Warlock folklore, based on a hatred for creation - obviously, since his goal is to destroy all of it.
In one scene, the Warlock puts a curse on Kassandra, causing her to age continually until the curse can be broken. The aging makeup is laughable, even in late 1980s movie makeup standards. It looks terrible, and ridiculous, even down to her red shoulder-length hair suddenly growing long and white.
Otherwise, it brings in the sinister and unsettling vibes of the supernatural well enough. The movie is a hidden gem overall among horror movies.
I have to mention one factual error I noticed. In one scene, while Kassandra is talking to Redferne, she references Glinda as the "Good Witch of the West" from The Wizard of Oz. Wrong, Kassandra...with a "K!" In the 1939 movie, Glinda was the Good Witch of the North. The Wicked Witch was from the West. C'mon!  
I didn't realize it at first, but famous voice actor Rob Paulsen makes a cameo as a gas station attendant. Paulsen has voice acted in well-know animated programs such as Teenage Mutant Ninja Turtles, Animaniacs, and The Tick.
Director Steve Miner has other notable horror titles under his directing belt including Friday The 13th Parts 2 and 3,  House, and Halloween; H20. And Warlock definitely has enough good stuff to have become a bigger franchise! 
Julian Sands reprised the role in the sequel Warlock: The Armageddon (1993). Bruce Payne took on the role in 1999's Warlock III: The End of Innocence. I'll review those soon!




Saturday, July 20, 2019

Another year, another Horror Convention

Some horrific dreams came true this year as I made my way again to St. Joseph, Mo., for Cyrpticon 2019.
I  was privileged to meet some notable names in the horror/thriller genre - Dee Wallace (Cujo, E.T.), Tsutomu Kitagawa (Godzilla 2000, Godzilla: Final Wars), Bin Furuya (Ghidorah; The Three Headed Monster, Invasion of Astro-Monster, Ultraman), and Tom Savini - actor, director, and make-up artist (Creepshow 1 and 2, Dawn of the Dead). All where just awesome to chat with, and I appreciated the opportunity to have them sign items for me.
I had hoped to meet Heather Langenkamp (A Nightmare on Elm Street 1 and 3, Wes Craven's New Nightmare) but I just didn't get the opportunity.
This was my second Crypticon-my second horror convention...ever. I was like a kid in a candy store...in a parallel universe...with monsters and stuff roaming around...and a random wrestling match taking place...some creepy old guy dressed as a creepy Santa Claus walking around...and LEGOs. A good number of vendors were selling horror movies, some of which were hard to find elsewhere. I guess if you go to a movie convention, you're going to want to buy movies.
I wish I picked out a few more titles than I did. Being nostalgic for VHS tapes, I picked up a copy of Frankenstein Meets the Wolfman (1943), Warlock (1989), and a one of those DVD collections of 50 B-horror movies in one package. I have plans for that!
My next review will be the movie Warlock. In the mean time, Pictures!






Dee Wallace

Bin Furuya






Midland Empire Ghostbusters



Tsutomu Kitagawa
Crypticon 2018 highlights

Wednesday, July 10, 2019

22) Hellfest (2018)

The more scared you seem, the more they're gonna come after you

Director
Gregory Plotkin

Cast
Stephen Conroy - The Unknown Killer
Amy Forsyth - Natalie
Bex Taylor-Klaus - Taylor
Reign Edwards - Brooke
Christian James - Quinn

I came across Hellfest as I was putting DVDs on the shelf at my library job.
Its title and cover seemed like all the other commonly looked-over horror titles found on Netflix or Hulu. Just check out the horror titles on these streaming services. Who ever heard of these titles?
Picking one title to watch on a Friday night in those streaming line-ups is more difficult than it needs to be. So, when this title crossed my path with no other horror titles trying to grab my attention, I was set. I was determined to watch this.
I don't remember Hellfest's release in the theater. I doubt it played at a theater near me.
It's really a movie that should be judged on its entertainment factor and not much else.
The Candyman himself, Tony Todd, makes a cameo in this movie. Chalk one up for Hellfest. I always love a good nod to a horror classic, especially by means of an honorary cameo.
Hellfest is a travelling Halloween scare park. The mood is set as the movie starts with a girl wandering through a haunted maze where she's confronted by a person in a mask she immediately recognizes as the same person whose been following her all night. You see where this is going?
This unknown person stabs and hangs her, leaving her corpse among the haunted house props where other visitors think she's just part of the décor. This first scare sets the tone of the movie.
Next, the audience is introduced to Natalie (Amy Forsyth) as she arrives at her friend Brooke's (Reign Edwards), apartment. The two engage in typical initial exposition disguised as college girl jibberish. The two make plans to hook up with some other ditzy friends for a night of scares as Hellfest has come to town.
While they're at the fest, Natalie comes across the masked person inside one of the haunted mazes as he's about to stab another girl. Thinking it's part of the act, she lags behind to watch it play out as her friends move on. As she stands their, the masked man stairs at her, while his victim begs for help. She asks him what he's waiting for, and tells him to "do it." He does.
And as she watches, it seems as though she's concerned with just how real it all looks. The girl's scream. The knife entering the flesh, and the blood that leaks out looks too real. The masked killer starts following her throughout the night, making her more and more terrified. He doesn't speak. He just stares through the eye holes of his emotionless dirty white mask. Where does that sound familiar?
The typical horror movie tropes come with this package deal - the "don't go in there" scenes, the security that doesn't believe a word anyone is saying, the villain more elusive than a leprechaun. Some of it plays out sensibly. I mean, a group claiming they're being chased by someone in a mask...at a Halloween attraction... who may have killed someone when that very scenario is being re-enacted in every attraction at the park. The security's disbelief is not unreasonable.
The suspense grows through the movie.
This is a typical slasher film-the bad man chasing the helpless teens.
But the setting inside a Halloween horror attraction makes the peril and helplessness a little more believable, and fantastic.
Other than the setting, it's really a cookie cutter horror movie. That didn't stop it from being intriguing, keeping me invested from beginning to end.
Hellfest offers little originality to the old story of the boogie man chasing the clueless, helpless teens. There were more shots of this mystery villain staring at Natalie from a distance (just as Michael Myers stared at Laurie Strode in Halloween. I'm sure the similarity there was no coincidence) than there was horror.
One particular scene had one of the friends taking part in a mock execution scene by guillotine. After the performance, the curtains close and we find the villain is dressed as the executioner. He locks her into the guillotine and attempts to really slice her head off. After it doesn't work, she manages to escape. It's a pivotal scene that plays out fairly well, taking the intrigue into a more serious realm. It's the segue to what I call the "now what" act. Ok- things just got real. Now what?
The movie is a  Friday night popcorn picture, boiling it down to how the bad guy will get the good guys. The movie needs more, though. It lacks in horror and effort, focusing too much on the suspense. It's a movie that either could or couldn't catch on. I don't think it caught on.
Director Gregory Plotkin has his name in a few notable movies in the genre. He worked as an editor for Jordan Peele's fantastic movie Get Out. He also worked on Happy Death Day and directed Paranormal Activity: The Ghost Dimension.
The acting is scripted. The plot is as predictable as can be. But this isn't a movie where audiences would watch for a deep Kubrick-esque story line, or acting that's The Godfather quality. This movie somehow managed to satisfy my thirst for a good scare. And what's more, it left me with really wanting to know just who this masked killer was. The ending did that for me. I'd watch a sequel.