Director
Lucio Fulci
Cast
Bob Boyle - Giovanni Frezza
Dr. Norman Boyle - Paolo Malco
Lucy Boyle - Katherine MacColl
Dr. Freudstein - Giovanni De Nava
Mae - Silvia Collatina
Thanks to the streaming service Shudder bringing me a vast library of horror/thriller titles, I've been introduced to Italian Director Lucio Fulci and his "Gates of Hell" trilogy.
I've been looking into his movie House by the Cemetery a little more after watching it, I didn't realize it's the third movie in a three-movie series. This includes City of the Living Dead and The Beyond - both I believe are available on Shudder, and will be watched (by me, of course) in the near future.
The title caught my eye. "House by the Cemetery!" Was that the best title writers could come up with? It seems like a very generic title for a horror movie. It would be just as "frightening" to title it The Dark and Stormy Night or just The Horror Movie. Of course, I'm just nitpicking. Seriously, the title is no reflection on the movie's performance.
About 10 minutes into this movie, I caught faint whiffs of Stanley Kubrick's The Shining which was released the previous year.
I don't know for sure, but I'd bet my entire movie collection, and a few action figures, that there was some loose inspiration pulled from Kubrick's movie.
In The House by the Cemetery, there's a little boy who has some sort of remote viewing, or ESP, mind power and who's visited by a little girl from time to time. There's also a father who's preoccupied with his research work. And this all takes place in a big fancy place where people were previously murdered (not nearly as big as the Overlook Hotel, but still fancy and dark). There's also a worrisome mother who tends to fret and scream a lot. If you've seen The Shining, this should sound familiar.
The movie starts off right away with horror. There's a young girl roaming an abandoned house looking for her boyfriend. But much to her disappointment, she finds his dead body stabbed with a pair of scissors. Things go from bad to worse for her as she's then stabbed in the head with a knife. Someone or something unseen then drags her body into the basement.
I've been looking into his movie House by the Cemetery a little more after watching it, I didn't realize it's the third movie in a three-movie series. This includes City of the Living Dead and The Beyond - both I believe are available on Shudder, and will be watched (by me, of course) in the near future.
The title caught my eye. "House by the Cemetery!" Was that the best title writers could come up with? It seems like a very generic title for a horror movie. It would be just as "frightening" to title it The Dark and Stormy Night or just The Horror Movie. Of course, I'm just nitpicking. Seriously, the title is no reflection on the movie's performance.
About 10 minutes into this movie, I caught faint whiffs of Stanley Kubrick's The Shining which was released the previous year.
I don't know for sure, but I'd bet my entire movie collection, and a few action figures, that there was some loose inspiration pulled from Kubrick's movie.
In The House by the Cemetery, there's a little boy who has some sort of remote viewing, or ESP, mind power and who's visited by a little girl from time to time. There's also a father who's preoccupied with his research work. And this all takes place in a big fancy place where people were previously murdered (not nearly as big as the Overlook Hotel, but still fancy and dark). There's also a worrisome mother who tends to fret and scream a lot. If you've seen The Shining, this should sound familiar.
The movie starts off right away with horror. There's a young girl roaming an abandoned house looking for her boyfriend. But much to her disappointment, she finds his dead body stabbed with a pair of scissors. Things go from bad to worse for her as she's then stabbed in the head with a knife. Someone or something unseen then drags her body into the basement.
Meanwhile, in New York City, a little blond haired, blue eyed boy named Bob Boyle (Giovanni Frezza) and his parents, Norman (Paolo Malco) and Lucy (Catriona MacColl) are planning on moving into the same house called Oak Mansion.
The previous owner, Dr. Peterson, was also Norman's ex-colleague. Peterson murdered the girl he was having an affair with, and then committed suicide in that house.
Norman is conducting research on old houses which is why he wants to move in.
As the family is getting ready to move, Lucy shows Bob a picture of the house. The boy notices a young girl staring out of the window in the picture. She disappears when he points her out to his mom.
As they travel to the town of New Whitby, Boston, where Oak Mansion is located, Bob's parents leave him in the car as they make a stop to collect the keys to the mansion. While he's waiting, he sees the same little girl from the picture, Mae (Silvia Collatina), standing across the street. She communicates to him with the shining...oops, I mean, telepathically warning him not go into Oak Mansion.
But the family moves into the old place, which is in dire need to work and renovations.
One obvious oddity about the house is that the basement door is nailed shut. If that's not a red flag, then what is?
As the family is getting used to their new digs, a girl named Ann (Ania Pieroni) shows up claiming she's the babysitter that the real estate agent they picked up the house keys from had promised to find for their son. They welcome her in, though she acts hesitant.
I get the impression there's some sort of attraction or...something...between her and Norman.
As everyone settles in, Lucy finds a grave marker with the name Jacob Tess Freudstein in the floor covered under a rug, right in the middle of the house. That's stranger than the basement door being nailed shut.
Norman plays it off as normal claiming old houses often have indoor graves because harsh long winters causing the ground to freeze made it difficult to bury the dead back in the day.
Mae continues to visit Bob, and shows him the grave site of a Mary Freudstein in the cemetery near the house. She tells him that Mary isn't really buried there.When Norman successfully opens the basement door and goes down to see what's hidden below the house, he's attacked by a bat. The bat bites his hand and won't let go. He ends up stabbing it into a bloody mess- literally.
It's a scene that's both horrific and laughable. Watching a grown man repeatedly fight and stab a bat latched to his hand is hilarious. Bravo performance for Norman and the fake bat!
After this epic battle, his attention goes from researching old homes to researching Freudstein.
Norman discovers that Freudstein killed his family - his wife and young daughter - over 100 years ago in that home. But that's not his most horrific aspect of Freudstein.
Things really begin to escalate as whatever or whomever is in the basement begins to emerge.
The gore level and freakiness of this picture is pretty high.
One scene has the unseen being living in the house cut Ann's throat not once but several times until it's severed.
The climax at the end of the movie begins with Bob getting locked in the basement. He starts noticing eyes staring at him from the dark recesses. The image of those eyes still manages to hold up as an unsettling scene.
The end manages to maintain just enough intensity and nightmarish trauma that kept me glued to the screen. The effects are dated, but that's not the movie's fault.
The previous owner, Dr. Peterson, was also Norman's ex-colleague. Peterson murdered the girl he was having an affair with, and then committed suicide in that house.
Norman is conducting research on old houses which is why he wants to move in.
As the family is getting ready to move, Lucy shows Bob a picture of the house. The boy notices a young girl staring out of the window in the picture. She disappears when he points her out to his mom.
As they travel to the town of New Whitby, Boston, where Oak Mansion is located, Bob's parents leave him in the car as they make a stop to collect the keys to the mansion. While he's waiting, he sees the same little girl from the picture, Mae (Silvia Collatina), standing across the street. She communicates to him with the shining...oops, I mean, telepathically warning him not go into Oak Mansion.
But the family moves into the old place, which is in dire need to work and renovations.
One obvious oddity about the house is that the basement door is nailed shut. If that's not a red flag, then what is?
As the family is getting used to their new digs, a girl named Ann (Ania Pieroni) shows up claiming she's the babysitter that the real estate agent they picked up the house keys from had promised to find for their son. They welcome her in, though she acts hesitant.
I get the impression there's some sort of attraction or...something...between her and Norman.
As everyone settles in, Lucy finds a grave marker with the name Jacob Tess Freudstein in the floor covered under a rug, right in the middle of the house. That's stranger than the basement door being nailed shut.
Norman plays it off as normal claiming old houses often have indoor graves because harsh long winters causing the ground to freeze made it difficult to bury the dead back in the day.
Mae continues to visit Bob, and shows him the grave site of a Mary Freudstein in the cemetery near the house. She tells him that Mary isn't really buried there.When Norman successfully opens the basement door and goes down to see what's hidden below the house, he's attacked by a bat. The bat bites his hand and won't let go. He ends up stabbing it into a bloody mess- literally.
It's a scene that's both horrific and laughable. Watching a grown man repeatedly fight and stab a bat latched to his hand is hilarious. Bravo performance for Norman and the fake bat!
After this epic battle, his attention goes from researching old homes to researching Freudstein.
Norman discovers that Freudstein killed his family - his wife and young daughter - over 100 years ago in that home. But that's not his most horrific aspect of Freudstein.
Things really begin to escalate as whatever or whomever is in the basement begins to emerge.
The gore level and freakiness of this picture is pretty high.
One scene has the unseen being living in the house cut Ann's throat not once but several times until it's severed.
The climax at the end of the movie begins with Bob getting locked in the basement. He starts noticing eyes staring at him from the dark recesses. The image of those eyes still manages to hold up as an unsettling scene.
The end manages to maintain just enough intensity and nightmarish trauma that kept me glued to the screen. The effects are dated, but that's not the movie's fault.
Despite the bad voice dubbing, and the similarities with The Shining, this movie still satisfied my horror fandom. It tries to tell a compelling story, but more originality and less borrowed material would have made it better. It's not the greatest horror movie, but it still has a sinister atmosphere and enough gore to make it a slasher classic